5 types of Fonts and How to Use Them

If you dip the toes into the world of a broad typography, it might look rather extraordinary. More than almost all other design elements, fonts convey messages and feelings to your viewers almost instantly, so it is very important to choose the right type of font.

Now there are hundreds of fonts in a variety of styles that are easily available by just doing copy and paste on Font Changer Guru. But more difficult than before to find out whether you choose the right type of font for your project or composition. Read on to learn how to make the right choice by understanding the various types of fonts and what types of projects are most suitable.

Anatomy of Font

Before we study the world of fonts and font styles, it will be very helpful to understand some things about the anatomy of the type. All fonts sit on an invisible plane called baseline – think of it as a blue line on your loose leaf paper – and has an invisible center line called an average line.

CLOSE HIGH is a field of capital letters, such as a straight line at the top of T. CLASS Capital is a line in the middle that crosses capital h or A. Some letters, such as lowercase h or b have what is called ascender, the line that crosses an average line flat.

Other people have offspring, who – you can guess it! —Drop under the ground line. Classic descenders are small loops in lowercase g or bottom of y.

All letters have these basic parts, but their thickness (known as “weight”), shapes and height all affect what “family” or the type of font they experience.

Serif Fonts

Serif font is the most classic original font. They are named for small feet at the top and bottom of the letters. Serif came from the Romans who touched their brush sweep at the top and bottom, creating what we now know as Serif.

Typefaces Serif became a fashion in the 15th century and a trial was held for three hundred years. Even in this appointment, there are many smaller classifications (old style, classic, neo-classical, transition, for some names). While ordinary observers may unite them all, the type of geek can explain that the subtle difference between weight, height of ascender, and serif shape that actually gives you a clue about what era he created.

For geeks that are not type, this is what you need to know: Serif fonts are everywhere in our daily lives in almost every book that we read or document that we open. They are Go Tos for logos and copying copies and are generally considered as the most trusted (or conservative) fonts on this planet. Our eyes love them for everything from short titles to long pages of text.

Serif Slab Font

Serif Slab is the most impressive font with large serif. They are a cousin that is harder than classic and calm serif, who became famous on the billboard, posters and the 19th century pamphlets, which were designed to shout their messages from a great distance.

Then they evolved into several more polite forms such as Clarendon who were always popular, which could work for longer text paragraphs.

Slab almost always carries vintage vibrations to the design and they have a rough athletic that is undeniable. The classic form works very well for any brand relating to the open and modern version that is finer always feels a little artistic maybe because almost every typewriter is a serif plate.

Sans Serif Fonts

Sans Serif is a font that does not have small served legs. They began to emerge in the middle of the 19th century but actually reached a major time in what is known as the “modern” era, in the age of twenties and thirties. They are considered new and striking, such as shorter skirts and Charleston dance madness.

Fun Fact:

You will still see Sans Serif with the word “strange” in their names because people who think that they are rude and only good for advertising.) In the middle of the German designer century they fled with a shape without legs and created several fonts Stay popular and icons to this day, like Futura and Helvetica.

Sans Serif is still considered the most economical, efficient, clean and modern choice. They can also be read in various sizes and shapes that are less farsighted have lent themselves very good for digital screens. Sans Serif is brave and a little likes to govern while they work well for the long paragraph text that they always shine in bigger uses such as headlines and logos.

Script font

The script font is the one who imitates the handwriting of the chair. They are separated into two categories, reminiscent of party invitations: formal and casual. Formal scripts, as the name suggests, is the most beautiful script.

They aroused extraordinary handwriting from the 177 and 18th century. They were immediately recognized because their higher and developing curls stretched from Serif, known as swash. This must be handled carefully. Using it for a large number of copies can cause your design to resemble the Declaration of Independence.

Those who say they will never be out of date for wedding invitations, romance books, and any design who want to feel more historic.

Casual manuscripts developed in the twentieth century and fewer like calligraphy and more painter signs. These scripts have a little swash and more readable. Work well for anything with more casual feelings and clumps including logos, posters, and pamphlets, and tend to feel eternal.

Handwriting fonts

Different from formal or casual scripts, handwritten fonts are difficult to find even ten years ago. Handwriting fonts often do not have a structure and definition of letters in traditional manuscripts, instead of imitating the circle and natural handwritten flow.

They may also be technically without serif and resemble all your father’s capital letters on a birthday card. The thin range of making handwritten fonts is difficult to explain but the explosion of new shapes is interesting to watch.

They work very well for book covers and posters and cannot be avoided in logo design, because they bring creative and unique touch that almost all small businesses want to catch. ;

Tips for combining fonts

Peanut butter and agar. Internet and cats. Some things are only intended to go together. Font is no different. Quick search raises a lot of special suggestions for combining various types of fonts, using fonts that are easy to find that already exist on your computer and that you might have to find. Some general guidelines: As in all aspects of design, contrast is the key.

You can’t beat all Sans Serif and Serif Sand. The sloping light balances the heavy and dark weight of Sans. Sometimes it is not even a matter of mounting fonts from different families, most Serif families have a variety of weight and distance so that one font can be used in a variety of different ways in the same design. Condensation and weight for the main header, ordinary lights for copies of the body. Never underestimate how flexible one type of font.

Best Font For Screen Versus Pages

As mentioned above, Sans Serif has exploded in popularity due to the increasing importance of digital design. But no matter the family, all fonts intended for digital use are changed to improve readability and performance on the screen in various formats.

This means fewer eye tension and fatigue for people involved with your design. If you are a very important web designer.

On the other hand, many web fonts are made specifically for websites to take full advantage of unique design potential for digital interfaces and do not even include the appropriate desktop use font. That is why it is important to think carefully about your font choices if you plan to transmit web design to the printed marketing material.

Think about the era

The most important advice in choosing a font style is to always think of time. As explained above, each type of style carries a particular trunk with it, bound when originating and growing in popularity. Thinking about the time period caused by fonts is a good shortcut for the selection of the right type of font: Calligraphy script colored by Victoria is only a bad choice for a web design company. While SCI-Fi feels that Sans’s geometrics are not as serving as good as good for gardening companies.